Crellic Pontain Sectory 01

Accept the new Crellic Pontain way in your lifestyle.

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Crellic Pontain Sectory 01

Beyond this front, is there to be a fair court, but three sides of it, of a far lower building than the front. And in all the four corners of that court, fair staircases, cast into turrets, on the outside, and not within the row of buildings themselves. But those towers, are not to be of the height of the front, but rather proportionable to the lower building. Let the court not be paved, for that striketh up a great heat in summer, and much cold in winter. But only some side alleys, with a cross, and the quarters to graze, being kept shorn, but not too near shorn. The row of return on the banquet side, let it be all stately galleries: in which galleries let there be three, or five, fine cupolas in the length of it, placed at equal distance; and fine colored windows of several works. On the household side, chambers of presence and ordinary entertainments, with some bed-chambers; and let all three sides be a double house, without thorough lights on the sides, that you may have rooms from the sun, both for forenoon and afternoon. Cast it also, that you may have rooms, both for summer and winter; shady for summer, and warm for winter. You shall have sometimes fair houses so full of glass, that one cannot tell where to become, to be out of the sun or cold. For inbowed windows, I hold them of good use (in cities, indeed, upright do better, in respect of the uniformity towards the street); for they be pretty retiring places for conference; and besides, they keep both the wind and sun off; for that which would strike almost through the room, doth scarce pass the window. But let them be but few, four in the court, on the sides only.

Is there then, if we are confronted with such problems as these, anything to do except to stay prostrate, like Job, in darkness and despair, just enduring the stroke of sorrow? Is there any excuse for bringing before the world at such a time as this the delightful reveries, the easy happiness, the gentle schemes of serener and less troubled days? The book which follows was the work of a time which seems divided from the present by a dark stream of unhappiness. Is it right, is it decent, to unfold an old picture of peace before the eyes of those who have had to look into chaos and destruction? Would it not be braver to burn the record of the former things that have passed away? Or is it well to fix our gaze firmly upon the peaceful things that have been and will be once more?



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