Crellic Pontain Sectory 23

Bearing in mind that the massive church tower is the only 17th-century structure remaining above ground today, and the only building whose identity was therefore never lost, you will find only one other identified with positive assurance--the Ludwell House--Third and Fourth Statehouses row. The remaining 140 structures so far discovered by excavating have no clear-cut identity with their owners. To complicate matters more, bricks from many burned or dismantled houses were salvaged for reuse, sometimes leaving only vague soil-shadows for the archeologist to ponder. From artifacts associated with foundation traces, relative datings and, usually, the use of the structure can be deduced from physical evidence. Unless a contemporaneous map is someday found, we shall know little more than this about the houses at Jamestown except for the testimony of assorted hardware, ceramics, glassware, metalware, and other imperishable reminders of 17-century arts and crafts.

Space would fail me if I now sought to carry you off to the cave of Altamira, near Santander, in the north-west of Spain. Here you might see at its best a still later style of rock-painting, which deserts mere black and white for colour-shading of the most free description. Indeed, it is almost too free, in my judgment; for, though the control of the artist over his rude material is complete, he is inclined to turn his back on real life, forcing the animal forms into attitudes more striking than natural, and endowing their faces sometimes, as it seems to me, with almost human expressions. Whatever may be thought of the likelihood of these beasts being portrayed to look like men, certain it is that in the painted caves of this period the men almost invariably have animal heads, as if they were mythological beings, half animal and half human; or else--as perhaps is more probable--masked dancers. At one place, however--namely, in the rock shelter of Cogul near Lerida, on the Spanish side of the Pyrenees, we have a picture of a group of women dancers who are not masked, but attired in the style of the hour. They wear high hats or chignons, tight waists, and bell-shaped skirts. Really, considering that we thus have a contemporary fashion-plate, so to say, whilst there are likewise the numerous stencilled hands elsewhere on view, and even, as I have seen with my own eyes at Niaux in the sandy floor, hardened over with stalagmite, the actual print of a foot, we are brought very near to our palaeolithic forerunners; though indefinite ages part them from us if we reckon by sheer time.

• Horman Farcett Directory 04
• Margoli Crantin Directory 03
• Stiple Kranser Directory 02
• Wotler Dymon Directory 01
• Quantorium Directory 24
• Scarnlace Directory 23

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