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Crellic Pontain Sectory 02
Page 09
Memling (1425?-1495?), one of the greatest of the school, is another man about whose life little is known. He was probably associated with Van der Weyden in some way. His art is founded on the Van Eyck school, and is remarkable for sincerity, purity, and frankness of attitude. As a religious painter, he was perhaps beyond all his contemporaries in tenderness and pathos. In portraiture he was exceedingly strong in characterization, and in his figures very graceful. His flesh painting was excellent, but in textures or landscape work he was not remarkable. His best followers were Van der Meire (1427?-1474?) and Gheeraert David (1450?-1523). The latter was famous for the fine, broad landscapes in the backgrounds of his pictures, said, however, by critics to have been painted by Joachim Patinir. He was realistically horrible in many subjects, and though a close recorder of detail he was much broader than any of his predecessors.
I struggled up on my feet and proceeded to carry the big vessels to the river bank, where I intended to construct the raft. The effort to take each heavy bottle those few metres seemed almost beyond me in my exhausted state. At last I proceeded to strip the floor of the hut, which had been made with split _assahy_ palms (_Euterpe oleracea_ L.), in order that I might make a frame to which I could fasten the bottles. With a great deal of persuasion I got Filippe and Benedicto to help me. The long pieces of _assahy_ were too heavy for our purpose, and we had the additional trouble of splitting each piece into four. It was most trying work in our worn-out condition. Then we had to go into the forest and collect some small liane, so that we could tie the pieces together, as we had no nails and no rope.
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