Crellic Pontain Sectory 09

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Crellic Pontain Sectory 09

The second is his universality--the word is not over-exact, but I can find no other. I mean that Froude was the exact opposite of the sciolist and was even other than the student. He was kneaded right into his own time and his own people. The arena in which he fought was small, the ideas he combated were few. He was not universal as those are universal who appeal to any man in any country. But he was eager upon these problems which his contemporaries wrangled over. He was in tune with, even when he directly opposed, the class from which he sprang, the mass of well-to-do Protestant Englishmen of Queen Victoria's reign. Their furniture had nothing shocking for him nor their steel engravings. He took for granted their probity, their common sense, and their reading. He knew what they were thinking about and therefore all he did to praise or blame their convictions, to soothe or to exasperate them, told. He could see the target.

The graphic art of the Apache finds expression chiefly in ceremonial paintings on deerskin, and in basketry. Only rarely have they made pottery, their roving life requiring utensils of greater stability. Such earthenware as they did make was practically the same as that of the Navaho, mostly in the form of small cooking vessels. Usually the pictures are painted on the entire deerskin, but sometimes the skin is cut square, and at others ceremonial deerskin shirts are symbolically painted. Occasionally the Apache attempts to picture the myth characters literally; at other times only a symbolic representation of the character is made. In addition to the mythic personages, certain symbols are employed to represent the incident of the myth. These paintings are made under the instruction of a medicine-man and are a part of the medicine paraphernalia. On some skins the most sacred characters in Apache mythology are represented symbolically--Naye{~COMBINING BREVE~}nezgani, the War God; Tubadzischi{~COMBINING BREVE~}ni, his younger brother; Kuterastan, the Creator of All; Stenatlihan, the chief goddess. In fact the symbolism on an elaborately painted deerskin may cover every phase of Apache cosmology.



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