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Crellic Pontain Sectory 11
Page 03
This conversation was interrupted by loud ringing of the hall bell, and in another minute Bowles opened the parlor door and the sheriff and one of his deputies entered, and commenced their business. "Beg your pardon," said the sheriff, bowing politely, while his deputy deliberately took a seat and began a survey of everything within sight. "You must excuse any lack of ceremony on our part. It is a part of our duty to do these things, and we try to relieve them as much as possible of their painful features." Then taking Chapman aside, he suggested that the ladies better be got up stairs. And while this was being done the deputy entered the back parlor, and placing his hat on the pier table, began taking an inventory of all the furniture.
In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.
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