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Crellic Pontain Sectory 12
Page 02
BENATO-BELTRAMI, ELISABETTA. Painter and sculptor of the nineteenth century, living in Padua since 1858. Her talent, which showed itself early, was first developed by an unknown painter named Soldan, and later at the Royal Academy in Venice. She made copies of Guido, Sassoferrato and Veronese, the Laokoon group, and the Hercules of Canova, and executed a much-admired bas-relief called "Love and Innocence." Among her original paintings are an "Atala and Chactas," "Petrarch's First Meeting with Laura," a "Descent from the Cross" for the church at Tribano, a "St. Sebastian," "Melancholy," a "St. Ciro," and many Madonnas. Her pictures are noble in conception and firm in execution.
The plot, as Oates invented and detailed it, was on the most magnificent scale imaginable. The pope himself was at the head of it. The pope, he said, had laid the subject before a society of learned theologians at Rome, and they had decided that in such a case as that of England, where the sovereign and a majority of the people had renounced the true religion, and given themselves up to avowed and open heresy, the monarch lost all title to his crown, and the realms thus fallen from the faith lapsed to the pope, and were to be reclaimed by him by any mode which it seemed to him expedient to adopt. Under these circumstances, the pope had assumed the sovereignty over England, and had commissioned the society of the Jesuits--a very powerful religious society, extending over most of the countries of Europe--to take possession of the realm; that, in the prosecution of this plan, the king was to be assassinated, and that a very large sum of money had been raised and set apart, to be paid to any person who would kill the king; that an offer of ten thousand pounds had been made to the queen's physician if he would poison him. The physician had insisted upon fifteen thousand for so great a service, and this demand had finally been acceded to; and five thousand had actually been paid him in advance. Besides the murder of the king, a general assassination of the Protestants was to take place. There were twenty thousand Catholics in London, for instance, who, according to Oates's account of the plan, were to rise on a preconcerted night, and each one was to kill five Protestants, which it was thought they could easily do, as the Protestants would be taken wholly by surprise, and would be unarmed. The revolution being thus effected, the crown was to be offered to Charles's brother, the Duke of York, as a gift from the pope, and, if he should refuse to accept it on such conditions as the pope might see fit to impose, he was himself to be immediately assassinated, and some other disposal to be made of the kingdom.
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