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Crellic Pontain Sectory 14
Page 06
Marius continued his executions and massacres until the whole of Sylla's party had been slain or put to flight. He made every effort to discover Sylla's wife and child, with a view to destroying them also, but they could not be found. Some friends of Sylla, taking compassion on their innocence and helplessness, concealed them, and thus saved Marius from the commission of one intended crime. Marius was disappointed, too, in some other cases, where men whom he had intended to kill destroyed themselves to baffle his vengeance. One shut himself up in a room with burning charcoal, and was suffocated with the fumes. Another bled himself to death upon a public altar, calling down the judgments of the god to whom he offered this dreadful sacrifice, upon the head of the tyrant whose atrocious cruelty he was thus attempting to evade.
So, it seems to me, is the immortality we so glibly predicate of departed artists. If they survive at all, it is but a shadowy life they live, moving on through the gradations of slow decay to distant but inevitable death. They can no longer, as heretofore, speak directly to the hearts of their fellow-men, evoking their tears or laughter, and all the pleasures, be they sad or merry, of which imagination holds the secret. Driven from the marketplace they become first the companions of the student, then the victims of the specialist. He who would still hold familiar intercourse with them must train himself to penetrate the veil which in ever-thickening folds conceals them from the ordinary gaze; he must catch the tone of a vanished society, he must move in a circle of alien associations, he must think in a language not his own.
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